Last week’s European box office faced significant challenges due to a combination of extreme heat and the distraction of the World Cup, impacting overall ticket sales across the continent. While some films managed to perform well, others saw notable declines.

The superhero sensation “Spider-Man” managed to maintain momentum despite these obstacles. It earned a record-breaking $40.1 million from 7,400 screens across 51 countries during the June 14-16 weekend, surpassing previous international records. By June 18, its global total rose to $225.5 million. However, its performance was hindered in the UK, where a controversial age rating prevented younger audiences from attending, leading to a weaker debut weekend and dropping the film to fifth place overall.

In France, “Spider-Man” enjoyed a strong showing, ranking third among U.S. releases, with ticket sales increasing by 21% compared to the previous week. Nonetheless, exhibitors expressed frustration over the widening gap between “Spider-Man,” “Star Wars,” and “Harry Potter,” as the market’s top titles pull further ahead of the rest. Turkey reported a solid opening with $552,000 on 84 screens, marking the country’s fourth-largest opening in five days.

The film experienced a typical decline in Germany and Italy after its initial record-breaking week, aligning with seasonal outdoor festivals and events that often divert audiences. Despite this, it remained the top choice among moviegoers, with some theater owners noting that many fans who saw “Spider-Man” earlier are now returning for romantic comedies like “40 Days and 40 Nights.” In Australia, where the World Cup commands prime-time attention, the film held its ground reasonably well, aided by a recent public holiday.

Meanwhile, “Star Wars: Episode II — Attack of the Clones” continued its strong run, with its total earnings surpassing $199 million by June 18. Its release also reached Colombia, where it became Fox’s third-highest opening ever. The “Jedi” franchise will next expand into Japan, Korea, and Latin America.

In Spain, audiences who weren’t otherwise occupied with celebrations for the national team or enduring the heat turned out for “Unfaithful,” which benefited from promotional visits by director Adrian Lyne and stars Richard Gere and Olivier Martinez. Gere’s comments about forgiveness resonated well with the liberal Spanish crowd. The film also performed well in Brazil but underwhelmed in Germany, where some critics felt it was somewhat familiar and unoriginal.

“The Sum of All Fears” generated $796,000 in five days in Mexico and $382,000 in six days in Singapore, though it faced stronger competition from “Unfaithful” in Brazil. The thriller maintained steady performances in markets like Taiwan (earning $1 million in 11 days) and Hong Kong ($830,000 over 13 days).

Family audiences in Southeast Asia contributed significantly to “Scooby-Doo,” which earned $445,000 in five days from 92 screens in Thailand (ranking third among family films), $536,000 from 32 screens in Singapore (also third), and $171,000 from 25 screens in Malaysia.

In Taiwan, “Ice Age” captivated young viewers, reaching a cumulative total of $135.2 million, with plenty of potential for further success as it has yet to open in Japan, Spain, and France. Conversely, “Bad Company,” despite its domestic failure, performed only modestly in Taiwan, failed in Hong Kong, but surprisingly topped the charts in Israel.

In Germany, “Gosford Park” attracted upscale audiences, benefiting from director Robert Altman’s loyal following and the country’s fondness for classic English mysteries. The film has earned an estimated $43 million internationally, slightly surpassing its domestic gross of $41.3 million.

The action-adventure “The Scorpion King” saw a sharp 44% drop after a strong pre-release in Japan, where it grossed $4.8 million over 11 days. Worldwide, the film has accumulated $63.8 million, still below its U.S. performance of $90 million.

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